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The dancing muse is the clarity of mortal tone. And this tone dances out of the openness of the wound, the tender vulnerability to the emergent patterns of wave energy. The thoughtful poet dances out the truth of language, moreover, through analysis, that is, the negating of the looseness of thinking: the conflating of death with demise, fatefulness with fatality and other similar distinctions examined here. In negating loose thought, the poet also ties up, the practice of synthesis, where the relations between things are enunciated, the picking out and selecting that is the logic of speaking, of 'saying something.' The clarity of tone displayed by the thoughtfulness of dancing out the truth of reality from and through language -- for language embodies this truth -- is the work of poiesis, the auto-poietic movement of thoughtful speaking. Dancing with his muse, the poet clearly thinks in order to hear how language, as Heidegger reminds us, is always saying something. So, the poet is the ear that hears, harkening onto language speaking.